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Deel 2: Japan t/m Tibet
Deel 1: Canada
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JAPAN
MONGOLIË
NEDERLAND
NEPAL
NOORWEGEN
RUSLAND
TIBET
PRAYER HOUSES, HOUSES OF WORSHIP
JAPAN
MONGOLIA
NEPAL
NORWAY
RUSSIA
TIBET
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Water Temple
Awaji Island
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Tsuna-gun,
Hyogo
Japan
Tadao Ando 1991
One does not
approach the inner sanctuary of the temple directly, but
follows a circular path in which the
color gradually becomes more and more intense. These silky
smooth concrete walls eventually lead to the light source - The
Inner Sanctuary.
The vermilion red color is most intense
during sunset as light radiates through a western facing
window. This western light has symbolic meaning because Buddha
originates from the west (India).
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Uit de ruïnes
van Karakorum werd in de zestiende eeuw het eerste
Tibetaans-boeddhistische kloostercomplex van Mongolië gebouwd:
Erdene Zuu
(Honderd Schatten). Het werd geplunderd door hordes uit
Mantsjoerije, herbouwd en in 1939 opnieuw verwoest, ditmaal op
last van het stalinistische regime van Mongolië zelf. Gespaard
bleven slechts drie van de 62 tempels. Op het hoogtepunt leefden
er zo’n 1000 monniken. De monniken werden nu afgevoerd naar
Siberië of direct vermoord.
Toen in 1990 het communisme ten val kwam, werd dit klooster weer
religieus actief. Het heeft nu een klein beetje van zijn oude
glorie terug. De drie aan Boeddha gewijde tempels zijn mooi. In
een gebedshuis worden schitterende fresco's en wandkleden
bewaard. De witte ommuring telt 108 stoepa's, ronde bouwwerken
die typerend zijn voor het Tibetaanse boeddhisme.
Midden op het grotendeels lege terrein staat een stenen tafel
met inscripties in diverse talen, die de tijd oproept van
wereldveroveraar Dzjenghis Khan.
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Het Gandan
klooster
Vanaf ongeveer 1830 groeide dit klooster uit tot een gemeenschap
van 5000 monniken. Gandan werd een belangrijk centrum voor het
bestuderen en praktiseren van de leer van de Boeddha. In 1938
vernietigden de communisten 900 kloosters in Mongolië. Ook
Gandan werd niet gespaard. Vijf van de tempels werden
vernietigd. De overige tempels werden gebruikt als onderkomen
voor Russische beambten of als stallen voor hun paarden. In 1990
is men met de restauratie begonnen. Er schijnen nu weer ongeveer
900 monniken te verblijven. |
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links met geel dak: Gandantegchenling
rose: Dedanprovantempel |
Migjed Janraisig |
Dechengalpa Datsan |
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Vajradhara |
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De oudste kerkgebouwen in Nederland dateren van rond het jaar
1000. Deze kerken zijn gebouwd in de Romaanse stijl: Massieve
bouwwerken met kleine rondbogige ramen en deuren.
In de dertiende eeuw begon de gotische stijl in Nederland door
te dringen. Enkele belangrijke veranderingen waren het gebruik
van de spitsboog en de steunbeer. Deze toepassingen maakten het
mogelijk om gebouwen te maken met meer ramen, vaak voorzien van
glas-in-lood.
In de zeventiende eeuw kregen gebouwen vaak een strenge,
symmetrische klassieke structuur. Dat was de tijd van het
classicisme. Het was ook de tijd van de reformatie. De Republiek
was protestants geworden. De protestanten namen de katholieke
kerken in beslag, maar begonnen ook eigen kerken te bouwen. De
katholieken maakten gebruik van schuilkelders. In de Zuidelijke
Nederlanden bouwden zij kerken en kloosters in een barokke
stijl, in het noorden konden ze pas in de negentiende eeuw weer
eigen kerken bouwen, vaak in neostijlen.
In de twintigste eeuw werd er geëxperimenteerd met moderne,
experimentele bouwstijlen. De nieuwste religieuze gebouwen zijn
vaak bestemd voor immigranten. |
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Mozes en Aäronkerk (1841), Amsterdam
In de zeventiende eeuw bevond zich op deze plek een katholieke
schuilkerk. Tussen 1837 en 1841 verrees hier een nieuwe kerk in
neoclassicistische stijl, gewijd aan de heilige Anthonius van
Padua, ontworpen door T.F. Suys. De architect Had zich laten
inspireren door de Griekse Oudheid, hetgeen te zien is aan de
zuilen en het driehoekig fronton. De torens zijn voorzien van
klassieke pilasters. |
Delden, N.H.Blasiuskerk (1118),
Dutch Reformed Blasius church,
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Enschede, Grote Kerk (1480) |
Enschede, Jacobuskerk (1933)
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Nijmegen, synagoge (1913), synagogue |
Oldenzaal (Nl.), R.K. St.Plechelmusbasiliek (1150) |
Oldenzaal (Nl.), Hilalmoskee,
Oldenzaal, Hilalmosque |
Schildwolde, gereformeerde kerk
Schildwolde, Calvinist Church |
Schildwolde, N.H.kerk (1686) en Juffertoren (1289),
Dutch Reformed Church and Juffer Tower |
Slochteren (Nl.), N.H.kerk 1650,
Slochteren, Dutch Reformed Church, ©awagenvoorde |
Haarlem,de Grote of St. Bavokerk
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Rotterdam, Griekse kerk,
Rotterdam, Greek church |
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Bhaktapur, Nepal |
Kathmandu, Pashupatinath |
Bhaktapur |
Pashupatinath
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Norway |
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March 2012
The design proposal by CEBRA for the New Church of Vaaler is
based on the most widespread symbol for the Christian church:
the cross.
Located in the south eastern part of Norway, it is a strong
visual symbol, which beautifully combines the horizontal with
the vertical in its simplicity – and in its meaning the worldly
with the heavenly. In the same way, the cross also represents
the church’s fundamental function.
In the village there was an old wooden church, but it burned
down in 2009. The church is of great importance for the local
community. Therefore, the design of the new church has to
combine a particular sensitivity and attention to the site’s
culture-historical context with a modern architectural
expression.
The building volume appears as a stairway to heaven - a
pictorial metaphor that can be found in several passages in the
Bible and stands as a synonym for spiritual cognition.
For pictures of the
design, copy and paste the next link:
http://www2.cebra.info/swfloader.asp?swf=ny_vaaler_kirke.swf&title=Ny
Våler Kirke
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Design New Church Vaaler, Norway |
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The Ivan the Great Bell
Tower is the tallest of the bell towers ringing the Moscow
Kremlin complex, with a total height of 81 meters (266 feet). It
was built for the
Assumption, Archangel and Annunciation
cathedrals, which do not have their own belfries, and is said to
mark Moscow's precise geographic centre.
From 1329 Moscow's first stone bell tower stood on this site,
affiliated with the Church of St. Ivan of the Ladder-under-the
Bell, hence the name "Ivan" in the title. From 1505 to 1508 a
new bell tower was erected next to the church on the foundation
of the old tower, which gave it its name. At first it had two
belfries on different levels, but in 1600 on the orders of Boris
Godunov it was raised to its present height. Until the building
of the Cathedral of Christ the Saviour it was the tallest
building in old Moscow, and it was forbidden to put up any
building in Moscow which was taller than the Bell Tower.
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Assumption
cathedral and bell tower |
Ulitsa Varvarka, or
Saint Barbara Street, is a narrow lane running east from Red
Square through what had been the Zaryadye district. Situated in
the heart of the capital along the Moscow River, it is one of
the oldest parts of the city, dating to the 13th century, when
it was home to the city's largest merchant district. Since it
was so close to the Kremlin and the seat of power, the area was
a casualty of grandiose Soviet urban planning schemes in the
20th century. Its narrow streets and yards were razed during
Josef Stalin's rule as part of a massive slum-clearing project.
The highlights are the street's small, diverse churches, which
are a welcome contrast to the gaudy splendor of nearby St.
Basil's. The first you come across as you walk east is the
salmon and pink colored
St. Barbara Church (see
below), built in a
neoclassical style in 1796 at a time when Russia was looking to
the West. Unlike traditional Orthodox churches with their
exotic, multicolored onion domes, this church features a modest
rotunda.
Next door, built a hundred years earlier, is
the Church of St.
Maxim the Blessed. It has a simple silver dome and a leaning
bell tower. Farther along is the
Monastery of the Sign, with its
central five-domed church in brown and gold.
The Church of St.
George, built in 1657, is down the street. Its bright blue domes
atop red brick turrets are decorated with stars.
Other interesting buildings are wedged between the churches. The
500-year-old Old English Court is the restored home of the first
British Embassy in Moscow. It features the thick walls and tiny
windows necessary to survive a Russian winter before the advent
of central heating and insulation. The same is true of the
nearby Zaryadye Chambers, the original city dwelling of the
Romanovs, one of Russia's most powerful noble families.
Below you see pictures
of the churches of Ulitsa Varvarka |
Saint Barbara Church, Moscow |
Church of Saint Maxim the Blessed and Bell tower, Moscow |
Monastery of the Sign, Moscow |
Church of Saint George |
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Cathedral of the Archangel, detail |
The Cathedral of the Archangel (Arkhangelsky sobor)
is the name of several cathedrals in Russia.
One particular cathedral by this name stands on the Cathedral
Square in the Moscow Kremlin. It was constructed between 1505
and 1508 under the supervision of an Italian architect Aleviz
Fryazin Noviy on the spot of an older cathedral, built in 1333.
The interior is entirely covered with holy icons.It contains
frescoes dating to the 16th and 17th centuries. Some of them
were painted by Yakov of Kazan, Stepan of Ryazan, Joseph
Vladimirov and others between 1652 and 1666.
Victories of the Russian military were
celebrated in the Cathedral of the Archangel. Russian tsars and
grand princes were buried within the cathedral until the 17th
century, who remain there to this day (including Ivan I Kalita,
Dmitri Donskoi, Ivan the Great, Ivan the Terrible). There are 54
burials in the cathedral, 46 ornamented white stone tombstones
(1636-1637) and glazed cases made of bronze (1903). Tsarevich
Demetrius, the son of Ivan the Terrible, was buried there in the
early 1600s. Emperor Peter II is also interred there, the only
post-Petrine monarch buried in the Kremlin (and the only one
besides Ivan VI who is not buried in the Peter and Paul
Cathedral in St. Petersburg.)
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Church of the Deposition of the Robe
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The Church of the
Deposition of the Robe is a church which stands on
Cathedral Square in the Moscow Kremlin. It was begun in 1484 by
masters from Pskov, most likely by the same group of architects
who built the adjacent Cathedral of the Annunciation.
The church was built on the site of a previous church, built by
Jonah Metropolitan of Moscow in 1451. The name of the church,
variously translated as the Church of the Virgin's Robe, The
Church of Laying Our Lady’s Holy Robe, The Church of the Veil or
simply Church of the Deposition, is said to refer to a festival
dating from the 5th century AD, celebrating when the robe of the
Virgin Mary was taken from Palestine to Constantinople, where it
protected the city from being conquered.
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Cathedral of the Dormition |
The Cathedral of the
Dormition (Russian: Uspensky Sobor) is the mother
church of Muscovite Russia. The church stands on the Cathedral
Square at the Moscow Kremlin and was built in 1475–1479 by the
Italian architect Aristotele Fioravanti. In the 14th century,
Metropolitan Peter persuaded Ivan I (Ivan Kalita) that he should
build a cathedral to the Holy Virgin in Moscow like the
Cathedral of the Dormition in the capital city Vladimir.
Construction of the cathedral began on August 4, 1326. In the
following year, Moscow became the capital of the Vladimir-Suzdal'
principality, and later of all Rus.
By the end of the 15th century the old cathedral had become
dilapidated, and in 1472 the Pskov architects Kryvtsov and
Myshkin began construction of a new cathedral. Two years later,
the building was nearing completion when it suddenly collapsed
because of an earthquake — an extremely rare event in Moscow.
Ivan III then invited Aristotele Fioravanti, a celebrated
architect and engineer from Bologna, Italy, to come to Moscow
and entrusted him with the task of building the cathedral from
scratch in the traditions of Russian architecture. The cathedral
in Vladimir was once again taken as a model for the building,
and so Fioravanti travelled to Vladimir in order to study
Russian methods of building. He designed a light and spacious
masterpiece that combined the spirit of the Renaissance with
Russian traditions.
The foundation for the new cathedral was laid in 1475, and in
1479 the new cathedral was consecrated by Metropolitan Geronty.
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Upper Saviour cathedral, Moscow, with many golden domes |
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Kazan Cathedral
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Kazan Cathedral
is a Russian Orthodox church located on the northeast corner of
Red Square in Moscow. The current building is a reconstruction
of the original church which was destroyed by Joseph Stalin in 1936.
The original church was erected as a shrine in the early 1630s
to mark the city's liberation from the Polish aggressors by the
Russian people's volunteer army at the close of the Time of
Troubles.
Upon clearing Moscow from the Poles in 1612, Prince Dmitry
Pozharsky attributed his success to the divine help of the icon
Theotokos of Kazan, to whom he had prayed on several occasions.
From his private funds, he financed construction of a wooden
church to the Virgin of Kazan on Red Square in Moscow.
After the diminutive shrine was destroyed by fire in 1632, the
Tsar ordered it replaced by a brick church. This one was
consecrated in October 1636.
The distinguished Russian restorer Peter Baranovsky supervised a
complete reconstruction of the church's exterior to its original
design in 1929–1932. Some specialists, however, criticised the
accuracy of this reconstruction.
In 1936, when Red Square was being prepared for holding the
military parades of the Soviet Union, Joseph Stalin ordered the
square cleared of churches. Although efforts were made by
Baranovsky to save it, he could not prevent the Kazan Cathedral
from being demolished.
After the fall of the Soviet Union, the Kazan Cathedral was the
first church to be completely rebuilt. The cathedral's restoration
(1990–1993) was based on the detailed measurements and
photographs of the original church Peter Baranovsky made before
its destruction in 1936.
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St. Basils's cathedral, Red Square, Moscow |
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Cathedral of the Annunciation
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The Cathedral of the
Annunciation is a cathedral in the Moscow Kremlin,
dedicated to the Annunciation of the Theotokos. Formerly, the
cathedral was a home church of the Muscovite tsars. The Cathedral of the Annunciation was built
on the Sobornaya Square (Cathedral Square) by architects from
Pskov in 1484-1489. Initially, the Cathedral of the Annunciation had three
cupolas. It was surrounded by parvises from three sides. In 1562-1564, they built four
single-cupola side chapels over the arched parvises. The north
and west entrances from the parvise are decorated with
whitestone portals of the 16th century. The bronze doors
of the north and west portals are decorated with gold foil. The walls contain fragments of murals, painted
by Theodosius (1508) and others (second half of the 16th, 17th
and 19th centuries). The iconostasis includes icons of the
14th-17th centuries, including the ones painted by Andrei Rublev,
Feofan Grek and Prokhor, and 19th century, as well.
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SPAIN,
St. John Baptist Chapel |
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Xiahe, Labrangklooster,
Labrangmonastery
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Lhasa, Jokhang |
Binnenzijde klooster Tibet,
inside the monastery
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Lhasa, Jokhang |
Lhasa, moskee,
mosque in Lhasa, |
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Deel 1: Canada t/m
Italië , klik
HIER
Part 1: Canada -
Italy, click
HERE |
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